Writing Tips: Kurt Vonnegut’s 8 Essentials for a Good Short Story.

 

With “deep-bone sadness” that often turned into dark-tongue humor, one of the most unique and unforgettable voices of XXth century American literature, Mr. Vonnegut, serves you the eight, most essential rules to writing a short story.

How this applies to you even if you’re not (technically) a short story writer.

Because see… in the end, you are. Whatever you’re writing—whether it is poetry, a longer piece of fiction, or even non-fiction, you’re always telling a story.

In fact, it goes even deeper—if you’ll allow me some Vonnegut-inflated, garage philosophy: we live in stories and we can’t understand life outside the story concept.

Our entire memory, our concept of the world is but a big storyboard.

Everything we’ve ever known is a story, within another story—and even the deepest, most literal and scientific truth has a fictional side that confirms its exception, if only, in the telling and understanding of it.

As such, the better you understand our human Art of Storytelling—both in writing and on that bigger scale of things called “life”—the richer your short experience on Earth will be.

Enters Vonnegut. 

 

1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted.

 

2. Give the reader at least one character he or she can root for.

 

3. Every character should want something, even if it is only a glass of water.

 

4. Every sentence must do one or two things—reveal character or advance the action.

 

5. Start as close to the end as possible.

 

6. Be a Sadist. No matter how sweet and innocent your leading character, make awful things happen to them-in order that the reader may see what they’re made of.

 

7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.

 

8. Give your readers as much information as possible as soon as possible. To hell with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.

 

I have a high respect for inventors of fictional religions. I interview them in my sleep.

 

 

Another way to recycle pain.

 

 

Wait, one more thing: Cough, Cough?

(Repetition is your mother’s mother.)

 

*****

 

More from Writing Lab: 

Jack Kerouac’s 30 keys to life & writing.

11 Tips & Tricks for Troubled Writers.

 

 

{In case of word-hunger, bite Rebelle Society on Facebook & Twitter.}

 

 

Andrea Balt
Co-Founder/Editor-in-Chief of Rebelle Society, Wellness Alchemist at Rebelle Wellness & Professional Dream Chaser at Creative Rehab. Unfinished book with a love for greens, bikes and poetry; raised by wolves & adopted by people; not trying to make art but to Be Art. Holds a BA in Journalism & Mass Communication, an MFA in Creative Writing & a Holistic Health Coach degree from the Institute for Integrative Nutrition®. In her work she tries to reflect the wholeness of the human experience by combining Art & Health + Brains & Beauty + Darkness & Brilliance into a more alive, unabridged and unlimited edition of ourselves. She is also on a quest to reinstate Creativity as one of our essential Human Rights to (hopefully and soon) be included in the UN Declaration. Connect with her in the Social Media Jungle via Facebook, Twitter & Instagram and sign up for her FREE Almost-Weekly Muse-letter..
Andrea Balt

Latest posts by Andrea Balt (see all)


More Rebelle...

Rebelle on Facebook, Twitter, Pinterest & Instagram.
General contact: [email protected]
Submissions: [email protected] / Advertise: [email protected]



 
468 ad